Yesterday, Friday, I wrote again to Mike Johnson at the UNC Foundation asking to renew a dialogue regarding the Totem Project. I've complained here about the stuffed bear in the plastic box that the former VP of Alumni Affairs saw fit to accept as a gift. I've moaned about the large bronze sitting on the north side of the University Center. Of course, what we appreciate as 'art' is subjective.
I want to do the Totem Project for two reasons. The first and foremost reason is to honor the Bear Totem. The second is personal.
I've chronicled here and elsewhere my first meeting Totem Teddy in 1946 when I was in kindergarten in the Lab School (Ernest Horne Elementary in Kepner Hall.) I just liked it. I've had a special place in my heart for it ever since. Thus, as an artist, my particular way of self expression in this case turns on my memories. Their expression in the forms I've created in the past, embossing the totem in 2003, installing The Ghost Memory Totem in 2005, removing the sculpture in 2008 are now only memories. The current idea is simple and organic. It has the potential to create new traditions that new students may come around to. Respect for tradition may be a dying ember, but it is still in me to try to spark new interest.
Folks at what was, in 1914, the Colorado State Normal School, had no idea that our totem may have been of questionable origin. It was a beautiful gift from a grateful alumnus. Totem Teddy became the embodiment of the institution who adopted the Bear as its mascot.
To me the events of the early 2000's were like a family discovering a lost child who had grown up with an adopted family. Suddenly, the true parents appeared and just took the child "home." Totem Teddy may or may not have memories or even care where it lives now or lived for ninety years on the UNC campus. But, it should be an honorable thing to retain a special image just to remember and honor it... him... Totem Teddy.
Thus, all I, as a person who grew up in Greeley, ... all I want is to use my modest talents to revive a memory on the campus that has meant so much to me.
It's not a question of money. It's a question of freedom of expression and the opportunity for students, in fact, anyone who visits the campus in any capacity, to experience tradition. To me, if art is controversial, it, at least, begins a discussion. Discussions, even arguments, have the potential to be the source of new thoughts, new ideas and when we are lucky, personal growth.
Early in this blog a couple of people who did not identify themselves made terrific comments. The best one was the person who said that students "didn't have time to try to figure out 'abstract' art." To me, the most important job that a university is given the task to do is to challenge the ideas of not only the students, but every single person it may touch. Debate is healthy.
Is a challenge to the aesthetic that accepts a stuffed bear and a huge bronze, a bad thing? I hope not. Is the re-awakening of an institution to an important tradition a good thing?
I really hope so.
Michael Sheehan
CSC 1963
Saturday, June 19, 2010
Friday, June 18, 2010
Totem Teddy Centennial
As I've come to understand that the wheels of any bureaucracy turn slowly and the tides of taste change at a slow pace, I'm hoping that there may be more visitors here who may support the idea of a tribute to Totem Teddy that may occur on or before his Centennial.
At least a few of you are checking in here. This is heartening.
Interested Bears, please leave a comment here if you have any inclination to help with this project to benefit our alma mater.
Thanks,
Michael Sheehan
At least a few of you are checking in here. This is heartening.
Interested Bears, please leave a comment here if you have any inclination to help with this project to benefit our alma mater.
Thanks,
Michael Sheehan
Wednesday, June 16, 2010
NEXT STEPS
This is an invitation to all University of Northern Colorado Bears: students, faculty, staff, administration and alumni to pitch in with ideas for the restoration of Totem Teddy to the UNC Campus. The Centennial of his arrival on campus will happen in 2014. It is my goal to restore the totem in an artful way before that time.
Tradition has never been a big deal in Greeley, but the Bear in me is still hoping for others who may agree that neither a stuffed bear in a plastic box nor a huge squatting bronze, neither one is a true representative of our Bear Spirit.
I have offered to build the "ReIncairnation of Totem Teddy" at my own expense on the same site where the Ghost Memory Totem stood from 2005 until 2008 and the original Totem Teddy stood until his repatriation to the Tlingits of Angoon, Alaska in 2003. The Bear Totem stood proudly on the Greeley campus for almost ninety years and it is my firm belief that his memory should not be forgotten.
Alumnus, the Honorable Lynn Karowsky is responsible for the term "ReIncairnation!" Thank you, Judge Karowsky.
Please join me in my effort to restore the Spirit of Totem Teddy to the UNC campus.
Michael Sheehan
CSC Class of 1963
Tradition has never been a big deal in Greeley, but the Bear in me is still hoping for others who may agree that neither a stuffed bear in a plastic box nor a huge squatting bronze, neither one is a true representative of our Bear Spirit.
I have offered to build the "ReIncairnation of Totem Teddy" at my own expense on the same site where the Ghost Memory Totem stood from 2005 until 2008 and the original Totem Teddy stood until his repatriation to the Tlingits of Angoon, Alaska in 2003. The Bear Totem stood proudly on the Greeley campus for almost ninety years and it is my firm belief that his memory should not be forgotten.
Alumnus, the Honorable Lynn Karowsky is responsible for the term "ReIncairnation!" Thank you, Judge Karowsky.
Please join me in my effort to restore the Spirit of Totem Teddy to the UNC campus.
Michael Sheehan
CSC Class of 1963
Thursday, March 11, 2010
Inching Along

Today I received a very nice call from Mike Johnson, VP of Alumni Affairs at UNC.
In the hope that my goal of resurrecting the tradition of Totem Teddy on the UNC campus may be viable, I told him that I was still hoping to do an installation somewhere on campus.
We'll see.
Attached is my current installation in the Los Angeles Municipal Art Gallery in Barnsdall Park in Hollywood. It's a prototype for the project that I hope to install in Greeley.
Monday, December 21, 2009
Glad Tidings
Totem Teddy may, indeed, still live!!
A few days ago, I got a very nice call from Mike Johnson, the now VP of Alumni Affairs for the UNC Foundation. Mike had been very helpful in 2005 when I installed the Ghost Memory Totem in the University Center in Greeley.
As I've mentioned here, Jerrold DeWitt, the former VP of Alumni Affairs, denied me access to the campus and effectively prevented the installation of my artwork in 2008. With his departure, I was fortunate to receive an official apology from Virgil Scott, president of the UNC Foundation, last August. He has now left his post at the Foundation, leaving an opening. So... if you know fund raisers / administrators who may be effective for working with the Foundation, have them contact the Judy Farr Center and help them out!
Mike Johnson is a cordial and concerned guy. I liked him when I met him. I was impressed that he took time to call and have an actual chat about Tradition at UNC. I've pledged to help.
Whether or not we get much activity here may be telling. School Spirit at my alma mater has been marginal. Rousing the students and alumni to support the idea of alma mater is the goal. All I have to offer is my time and energy. Hopefully, I'll be able to offer an installation that will at least bring attention to Totem Teddy and, if fortunate, get dialogue happening to promote art and respect for the past at the University of Northern Colorado.
Finally, one of the inspirations for my artwork, Jeanne-Claude, passed away recently. She and Christo have made works of art that have inspired millions and changed the hearts of some who have, at first, opposed their works of art. Currently, there is what may be characterized as a smear campaign to defame the Over The River Project for the Arkansas River between Salida and Canon City, Colorado. I encourage all Colorado residents to inform themselves about the Project and support it any way you can.
Please stop by this blog from time to time and leave comments: pro or con.. regarding the importance of Heritage and Tradition at UNC, as well as ideas for Totem Teddy.
Today is Winter Solstice. Celebrate the Light. The Season.. your own traditions..
Michael
Tuesday, November 3, 2009
Welcome Native American UNC Students
Having just joined the UNC Native American Student Services on Facebook, I thought I'd welcome those of you who may head this way to check out my blog.
In a nutshell, I want very much to make a donation to my alma mater. I began my education on campus in 1946. I met Totem Teddy that year and have had a relationship with the Bear Totem ever since. For those of you with time and patience, my history with Greeley and the totem is pretty much chronicled here.
I'm open to suggestions for the next installation which, I would hope, will be a permanent one. Essentially, I want to build a column of blocks stacked to 13 1/2 feet in height, the same height as the original totem.
I'm not seeking funding, but would love support and physical assistance if and when the university agrees to allow this tradition to continue. Of course, this is a 19th Century art piece attempting to reincarnate in the 21st Century. Maybe no one at UNC really cares about tradition? But, I know three great kids who helped me in 2008 and would hope that we might get this project cooking again without endangering anyone's scholastic standing or getting arrested or something!
Traditions come from the spirit of any group. Will the Native American folks on the UNC campus step up? Solomon Little Owl? Where are you?
Please leave comments here or find me on Facebook.
Does Totem Teddy live?
Michael Sheehan
In a nutshell, I want very much to make a donation to my alma mater. I began my education on campus in 1946. I met Totem Teddy that year and have had a relationship with the Bear Totem ever since. For those of you with time and patience, my history with Greeley and the totem is pretty much chronicled here.
I'm open to suggestions for the next installation which, I would hope, will be a permanent one. Essentially, I want to build a column of blocks stacked to 13 1/2 feet in height, the same height as the original totem.
I'm not seeking funding, but would love support and physical assistance if and when the university agrees to allow this tradition to continue. Of course, this is a 19th Century art piece attempting to reincarnate in the 21st Century. Maybe no one at UNC really cares about tradition? But, I know three great kids who helped me in 2008 and would hope that we might get this project cooking again without endangering anyone's scholastic standing or getting arrested or something!
Traditions come from the spirit of any group. Will the Native American folks on the UNC campus step up? Solomon Little Owl? Where are you?
Please leave comments here or find me on Facebook.
Does Totem Teddy live?
Michael Sheehan
Monday, September 7, 2009
Time heals...
It has been almost a year since my angry entry regarding the Lundvall's trophy donation to UNC. A couple of weeks ago I went to the UC and saw the bear in the plastic case with two plexiglas signs that credited the donors. The bear is small. It's a beautifully mounted specimen that would look nice in a natural diorama.
I understand that Jerrold DeWitt was very proud of this gift to the university. There's no accounting for taste. Evidently, Mr. DeWitt is no longer employed by the UNC Foundation for reasons that should probably be left unmentioned in this public forum. At once I find myself coming up with the line "what goes around, comes around." And, am a little embarrassed at the same time for the Foundation and DeWitt.
The upside is that I met with Virgil Scott, the President of the UNC Foundation when I was in Greeley in August and accepted his apology for DeWitt's negative words about me. Mr. Scott was sincere and seems like a genuine person to me. I am grateful for the meeting.
Whether or not I'll be able to begin again to create the ReInCairnation (thanks to Lynn Karowsky for that title) to install my work in the University Center in Greeley remains to be seen. Mr. Scott took my proposal to Dr. Randy Haack at the university and after a brief phone call with Dr. Haack, I'm hoping to receive a positive response from him and the support of both the University and the UNC Foundation to do the installation.
It's been pointed out to me that tastes in art differ and, perhaps, my ideas are too much of a challenge for Greeley. Of course, I feel that any art that requires thought and attention as well as critical thinking is vital to our society. Recently, I was treated to a tour of the new Denver Museum of Contemporary Art where Damien Hirst's interpretation of the Martyrdom of St. Sebastian is on display. It's a shocking piece that instantly sent one of my friends out of the gallery. The importance of Hirst and his incredibly raw approach to art is obvious. If an artist can break new ground and be recognized by the arts community, then Art moves.. not necessarily forward.. but it moves.
Seeing the Hirst and admiring the sheer fortitude of the piece put me in an ethical dilemma. I have been critical of the stuffed bear in the University Center and at once admire the dead calf that Hirst is making waves with in the Arts Community. How does one dead animal trump another?
It is precisely this conundrum that makes me hope that I'll be invited by my alma mater to do another installation that calls up the memory of Totem Teddy. One person in this blog stated some time ago that students don't have time to stand in front of an artwork and try to figure it out. Those are the minds, it seems to me, that need the challenge most.
Why pierce the body of a dead calf with dozens of arrows and hang it by a cable in a huge vitrine? Why stuff a bear and put it in a plexiglas box? These questions are vital to our growth as intelligent human beings. If all we get are pat answers to any question we may come up with, then, all we have is rote learning ... Critical thinking, by its very nature, must take us beyond the simplicity of getting an answer right and moving on.
So. Why should the University of Northern Colorado honor its roots in remembering a hundred year old totem pole? Why should tradition be an integral part of our education? Why should we examine our aesthetics and our personal ethics? Simply, I believe, we need challenges in our lives which enable us to grow in more than just a linear pattern which puts us into society to do a job.
I'll never compare my artwork to Damien Hirst's. Whether his stuff is important or not has been taken up by the Arts Community around the world. I find it at once startling and wonderful. Disturbing. All I want my work, at least on the UNC campus, to do is garner a little attention and have students, alumni, faculty, administration and staff aware that the Bear Tradition blossomed from one basic seed. If we take our tradition to heart and have a good feeling about it, I've done my job.
Of course, getting anyone else to care is the challenge. All I want from my alma mater is cooperation. Actual support would be nice. Funding would be wonderful.
Ideas?
I understand that Jerrold DeWitt was very proud of this gift to the university. There's no accounting for taste. Evidently, Mr. DeWitt is no longer employed by the UNC Foundation for reasons that should probably be left unmentioned in this public forum. At once I find myself coming up with the line "what goes around, comes around." And, am a little embarrassed at the same time for the Foundation and DeWitt.
The upside is that I met with Virgil Scott, the President of the UNC Foundation when I was in Greeley in August and accepted his apology for DeWitt's negative words about me. Mr. Scott was sincere and seems like a genuine person to me. I am grateful for the meeting.
Whether or not I'll be able to begin again to create the ReInCairnation (thanks to Lynn Karowsky for that title) to install my work in the University Center in Greeley remains to be seen. Mr. Scott took my proposal to Dr. Randy Haack at the university and after a brief phone call with Dr. Haack, I'm hoping to receive a positive response from him and the support of both the University and the UNC Foundation to do the installation.
It's been pointed out to me that tastes in art differ and, perhaps, my ideas are too much of a challenge for Greeley. Of course, I feel that any art that requires thought and attention as well as critical thinking is vital to our society. Recently, I was treated to a tour of the new Denver Museum of Contemporary Art where Damien Hirst's interpretation of the Martyrdom of St. Sebastian is on display. It's a shocking piece that instantly sent one of my friends out of the gallery. The importance of Hirst and his incredibly raw approach to art is obvious. If an artist can break new ground and be recognized by the arts community, then Art moves.. not necessarily forward.. but it moves.
Seeing the Hirst and admiring the sheer fortitude of the piece put me in an ethical dilemma. I have been critical of the stuffed bear in the University Center and at once admire the dead calf that Hirst is making waves with in the Arts Community. How does one dead animal trump another?
It is precisely this conundrum that makes me hope that I'll be invited by my alma mater to do another installation that calls up the memory of Totem Teddy. One person in this blog stated some time ago that students don't have time to stand in front of an artwork and try to figure it out. Those are the minds, it seems to me, that need the challenge most.
Why pierce the body of a dead calf with dozens of arrows and hang it by a cable in a huge vitrine? Why stuff a bear and put it in a plexiglas box? These questions are vital to our growth as intelligent human beings. If all we get are pat answers to any question we may come up with, then, all we have is rote learning ... Critical thinking, by its very nature, must take us beyond the simplicity of getting an answer right and moving on.
So. Why should the University of Northern Colorado honor its roots in remembering a hundred year old totem pole? Why should tradition be an integral part of our education? Why should we examine our aesthetics and our personal ethics? Simply, I believe, we need challenges in our lives which enable us to grow in more than just a linear pattern which puts us into society to do a job.
I'll never compare my artwork to Damien Hirst's. Whether his stuff is important or not has been taken up by the Arts Community around the world. I find it at once startling and wonderful. Disturbing. All I want my work, at least on the UNC campus, to do is garner a little attention and have students, alumni, faculty, administration and staff aware that the Bear Tradition blossomed from one basic seed. If we take our tradition to heart and have a good feeling about it, I've done my job.
Of course, getting anyone else to care is the challenge. All I want from my alma mater is cooperation. Actual support would be nice. Funding would be wonderful.
Ideas?
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